Collage Dance Collective
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DateNovember 5, 2026
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Event Starts7:30 PM
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Venue
Bomhard Theater
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Address501 West Main Street
Louisville, KY 40202, Map Link -
AvailabilityOn Sale Now
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Seating ChartView Seating Chart
Show Details
Access Services
- Wheelchair Accessible Seating
- Assistive Listening Service
Visit the Accessibility page for more information on all of our accessibility services.
Age Recommendation
All ages
Running Time
TBD
Stadium Seating
The Bomhard Theater has stadium seating and requires the use of stairs to reach your seat and to exit the theater.

“Steps to your seat” Chart
*Row A is closest to the stage, and can be accessed through a back of house location if needed to avoid stairs.
Number of steps to each row from the top of the theater.
Row A - 28 Steps
Row B - 26 Steps
Row C - 24 Steps
Row D - 22 Steps
Row E - 20 Steps
Row F - 18 Steps
Row G –16 Steps
Row H - 14 Steps
Row J – 12 Steps
Row K – 10 Steps
Row L – 8 Steps
Row M – 6 Steps
Row N - 4 Steps
Row P – 2 Steps
Row Q – 0 Steps
Rooted in the heartland of Memphis, TN, Collage Dance Collective embodies the greatness of American dance and is at the national forefront of inspiring the growth of ballet. Collage’s meteoric rise over the last decade is fueled by its dynamic programming, virtuosic company artists and its talent for presenting what the Albany Times Union called “ballet made utterly, gorgeously human.” Collage Dance Collective was recently named a Southern Cultural Treasure by South Arts and the Ford Foundation, is one of the 50 largest ballet companies in the nation.
The professional company presents annual seasons in Memphis, plus national and international touring, performing a diverse range of classical and contemporary choreography from Amy Hall Garner, Nicolo Fonte, George Balanchine, Wayne McGregor, Nacho Duato, Ulysses Dove, Joshua Manculich, Kevin Iega Jeff, and more.
The work of Collage Dance Collective has been featured in media outlets including Huffington Post, Allure, New York Magazine, Essence, Dance Magazine and Pointe Magazine.
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